12/5/2023 0 Comments Aladin film song![]() The new lyrics, also penned by the late Academy Award-winning lyricist Howard Ashman, will be placed on the homevideo version of the movie, to be released Oct. Ironically, the majority of the townspeople in the movie are actually caricatures of Disney producers, directors and animators. “The irony in all of this is that this is the first movie in years where both the hero and heroine are Arabic, and both are obviously terrific role models, not just for Arabs but for everybody.”īustany said, “Probably the most demeaning thing to Arabs is that all of the townspeople, the merchants and guards and soldiers are depicted as mean and cruel.” Not so, said Disney distribution prez Dick Cook. “Can an Arab-American child feel good after seeing ‘Aladdin’? The answer is no.” “Every American child has a right to grow up feeling good about himself or herself,” said Bustany. ![]() The ADC official also leveled objections to the generic American elocution used by such favorable characters as Aladdin, Princess Jasmine and the benign Sultan.ĭisney countered that the really bad guy in “Aladdin,” Jafar, speaks with an English accent, while his conniving parrot, Iago, has a Brooklyn accent. Either song could have served well in the score if the episodes they musicalize had been included in the final film.The revised lines are: Where it’s flat and immenseĭon Bustany, president of the Los Angeles chapter of the ADC, said the two-line rewrite is not enough to reverse racism that the org sees depicted in the movie. "High Adventure" is a quick-tempo production number sung by Menken and Ashman (also in good voice) in which the genie encourages Aladdin to act heroically. "Proud of Your Boy," which Menken sings effectively, is an earnest ballad in the style of "A Whole New World" in which Aladdin addresses his mother, promising to mend his errant ways. This "special edition" of the soundtrack, released to coincide with the appearance of the film as a two-disc DVD, contains two intriguing bonus tracks, Menken and Ashman's demos of songs that didn't make it into the final version. The manic "One Jump" and "Arabian Nights" are cut from the cloth of classic Broadway show tunes, while Menken's instrumental cues range from the sweetly cartoonish "To Be Free" to the romantic "Kiss" to the ominous "Jafar's Hour" and "On a Dark Night." While it's not quite as brilliant as the music from The Little Mermaid or Beauty and the Beast, Aladdin is still a fine soundtrack and an auspicious debut for Menken and Rice's collaboration. ![]() ![]() Aladdin's score is consistently good, rivaling the best of Disney's other animated musicals from the '90s. "A Whole New World" (the film's hit single) and Robin Williams' bravura performance as the magic lamp on songs such as "Friend Like Me" and "Prince Ali" are justifiably credited as the album's highlights. The soundtrack to Disney's Aladdin features another first-rate score by composer Alan Menken and lyricists Howard Ashman and Tim Rice, who helped Menken complete the score when Ashman died before it was finished.
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